In
my last posts, I wrote about the Djinn, after first explaining the difference between medieval demons and ancient Greek and Middle Eastern demons.Now I'll write about the most useful folklore surrounding Djinn for a fantasy
writer, the control of these powerful Mythological Humanoids.
Last
post, I mentioned that when free, the Djinn live in Kaf, a mythical
range of emerald mountains that encircles the Earth, but these
physically variable creatures could be trapped and controlled by
magic and called to the service of humans. This is where the folklore
become highly applicable to authors and story ready.
Free
ranging powerful spirit people are all well and good, or terrible and
bad depending on their mood, but putting the power of such god-like
people in the hands of fallible humans has great potential for
dramatic action and gripping plots. Just watch a few episodes of I
Dream of Jennie, a sitcom from the late 60's, to get plenty of plot ideas.
Aladdin's
lamp, of A Thousand and One Arabian Nights fame, is one source
of magical control of a Djinn. The Djinn is made cute, cuddly and
blue in the Disney version of Aladdin, yet even here he is
still crazy and unpredictable as voiced by the late great Robin
Williams.
Though
submissive and offering three magical wishes, most Djinn in lamps are
still dangerous and scheming once taken out of the nursery stories
and brought to the older children and adults. Djinn want to get free,
so conflict abounds.
In
the original story of Aladdin's Lamp, the place that Aladdin finds
the lamp is through a tunnel where there are enormous underground
trees [Cue Monty Python scared music here] that bear jewels on their
branches. These fist sized gemstones come in all colors of the
rainbow. [Sounds like a little piece of Kaf to me.]
There
are many magical objects that imprison Djinn, not just lamps. Rings were popular. In fact, there is a legend about a the magic ring
of King Solomon. This story is found in Israeli folklore and says
that King Solomon had a magic ring with which he tamed and then
controlled thousands of Djinn that he carried on his back when he
traveled [Why his back?] Supposedly he used their power to build the
temple in Jerusalem. The History of the World, by J.M.
Roberts, claims Solomon
did have outside help to build the temple, but that it was the
subjugated Phoenicians and their superior knowledge of working with
the famous Cedars of Lebanon and engineering that accomplished this
task. A much less colorful tale to be sure, but apparently demons
were given the credit for building many ancient and medieval bridges
too. [Engineering must have seemed magical to the illiterate masses
of those times. ]
The
story of Solomon and the Djinn doesn't end there, though. This magic
ring, set with a gem stone, a diamond perhaps, and etched with a
hexagram and the true name of God had a life force of its own that
protected Solomon from the dangerous Djinn. He directed them to make
statues, palaces and gardens. Through them he acquired his great
wisdom and riches. Supposedly grimoires such as The Key of Solomon and The Lesser Key of Solomon explain how to imitate
his success and learn his secrets.
But
be warned, Asmodeus, on the most powerful Djinn tricked the ring away
from Solomon by asking to borrow it, then threw Solomon out, instead
of returning it. Asmodeus became king instead and threw the ring into
the sea. Fortunately for Jerusalem, Solomon recovered the ring from
the belly of a fish [reminds me of the talents Jesus pulled out of
the mouth of a fish to pay taxes and also of Jonah.] Then Solomon put
Asmodeus in a jar.
The question my research left me with is what other magical objects were Djinn traditionally bound to for the purpose of controlling them?
Here's a great site for further research on Djinn.
1 comment:
Ebenezer Baldwin Bowles suggested that the reason Solomon wore the Djinn on his back was to avoid the Djinn's Evil Eye.
I think that makes a lot of sense.
Post a Comment